I Married a Beast

There's a moment in Disney's Beauty and the Beast that always makes me catch my breath. It's not the ballroom dance or even the transformation scene. It's earlier, quieter - when the Beast, nervous and awkward, throws open the doors to his library and watches Belle's face light up with wonder.

"It's wonderful!" she breathes, spinning among the floor-to-ceiling shelves.

"It's yours," he says simply.

In that moment, the Beast doesn't offer Belle jewels or gowns or empty flattery. He offers her what matters most to her - a room full of stories, ideas, and imagination. He sees who she really is. And in seeing her, he reveals himself. Two bookish souls, finding each other among the pages.

This is where their real love story begins, not with physical attraction or instant chemistry, but with shared passions and the slow recognition of kindred spirits. I had a moment like that soon after meeting my husband. I was dating the training manager at Farrell's Ice Cream Parlour, and Keith was engaged. We decided to go to the beach one day after work, and he noticed my old beach towel. I joked about it - I come from a family that gets every last drop out of a bottle of catsup. The next day, there was a new beach towel on the driver's seat of my car. This was during the days when you didn't have to lock your car, of course. 

Beauty and the Beast has endured across centuries and countless versions because its core truth remains relevant: real love requires looking beyond the surface to see someone's true character. Belle doesn't fall for the Beast's appearance - she falls for his kindness, his growth, his vulnerability, and yes, his library. She sees the person beneath the curse. The beast would have given her a new beach towel.

I kid my husband, Keith, that we're Beauty and the Beast - though I should clarify, he's actually quite handsome, and I've been known more for brains than beauty. But he can turn into a bit of a beast when he's hungry (hangry is real, folks) or when he encounters difficult people. More importantly, like the Beast with Belle, he's fiercely protective of those he loves. He guards our granddaughters and me like he's sitting on that proverbial fence, watching for any threat, ready to defend. As he says, "You want me on that fence!"

Like the Beast offering Belle his library, Keith and I have built our own collection of shared passions after fifty years of marriage. DVDs fill our shelves. We have close to 2,000 books in our Kindle Library that we own and subscribe to Kindle Unlimited. We understand each other's protective instincts, our quirks, our hunger-induced mood swings. We've learned to see past the "beastly" moments to the person underneath - and to let ourselves be fully seen in return.

In our current world, where we swipe left or right based on a photo, where first impressions are formed in seconds from social media profiles, and where we're constantly judged by superficial metrics, this message feels more important than ever. We live in a society obsessed with surface-level perfection, yet starving for genuine connection. The Beast's story reminds us that transformation happens through patience, understanding, and truly seeing one another - not despite our flaws, but through accepting our whole, complex selves.

And like Belle and her Beast, I didn't fall in love with Keith immediately. Our story is more like Ashley and Melanie in Gone with the Wind - though that comparison might raise some eyebrows - they were cousins! Stay with me here. In Margaret Mitchell's novel, Ashley reflects on how he and Melanie are suited to each other because they share the same background, values, and understanding of the world. They speak the same language, he says - much to Scarlett's fury, as she could never understand that compatibility built on shared foundations could be deeper than passionate physical attraction. She's beautiful and surrounded by suitors. Why couldn't she have Ashley, too? She didn't discover until after Melanie died that he wasn't right for her. Melanie was Ashley's one true love.

Keith and I discovered we were cut from the same cloth, like Ashley and Melanie. Our backgrounds were similar. Our fathers were born in Colorado, a few hundred miles apart. We both had devout Catholic mothers and fathers who converted to the religion - an unusual parallel that shaped both our childhoods in similar ways. We both love to read, losing ourselves in stories the way Belle treasured every book in that library. We both love movies, sharing that joy of storytelling in another form. We even both played hockey - he played ice hockey, I played field hockey. These weren't superficial similarities. They were the threads of shared experience and values that wove us together. We're the same age, know the same songs, and can speak in "movie speak" as we call it. We constantly use lines from movies, books, and songs to communicate. We're passionate about the Olympics and Oscars.

But our love wasn't love at first sight. It was the slow building of trust and understanding. It was finding someone who spoke my language. We met in February, started dating in July, got engaged in August and married the following February. 

That's the real magic of Beauty and the Beast. It's not about the spell breaking or the prince returning to his handsome form. It's about two people learning to be vulnerable enough to show their true selves and brave enough to love what they find. It is about loving the person who makes you feel comfortable.

And speaking of Disney love stories we cherish - I'm starting a new YouTube series - Writing is Life, and I'll use my storytelling skills to write the next chapter in some of Disney Studios' masterpieces. If you been wanting to become an author, or learn screenwriting from a different angle - or even learn more about AI and animation, visit https://www.youtube.com/@sandijerome and please subscribe! I'm not trying to make money on YouTube; I'm trying to promote my books and screenwriting career.

What's your favorite moment in Beauty and the Beast? Have you found your own love story in an unexpected place? Share in the comments below.

 

Learning to Judge: From Livestock to Disney Resorts

 

I learned a great deal during my 10+ years in 4-H. Not only does the pledge still mean a lot to me—"I pledge my head to clearer thinking, my heart to greater loyalty, my hands to larger service, and my health to better living, for my club, my community, my country and my world"—but the skills I developed continue to guide how I approach everything in life, including how I evaluate Disney Vacation Club properties.

Thinking clearly has always been my greatest strength. I try to set emotions aside and look at the logic of situations. I'm fiercely loyal—loyal to my family and those who have earned my trust. There is a flip side to loyalty; those who lose my respect are "done" for me. I avoid them and cut them out of my life, falling back on my logic. Why surround yourself with people who make you sad? I am a truly "hands-on" person. I enjoy growing my own food, sewing my own clothes, and working hard to provide a greater service to our world. With that, I strive to live a cleaner life. I don't drink, smoke, and I try to avoid eating animals. I do this primarily for health reasons, but I also strive to maintain a smaller environmental footprint. I have downsized our housing. 4-H taught me so many valuable skills. 

Leadership developed through my 4-H experience, where I worked my way up through every office, culminating in my role as club president during my junior year of high school. Accounting skills were developed as we had to prepare profit/loss statements for each project—buy a lamb for $20, pay $10 for feed, and sell it for $100, earning a $70 profit. Public speaking improved when we had to give demonstrations, such as teaching an audience how to decorate a cake. I even made my own 5-tier wedding cake!

However, one of the most valuable skills I acquired was the ability to judge. 4-H judging contests provide youth with hands-on learning experiences that enhance their knowledge while developing critical life skills: 

• Critical thinking -  to analyze and evaluate different aspects,
• Decision-making - to make informed choices based on evaluation and standards,
• Communication -  to explain reasoning and improve public speaking skills. 

The contest format was simple: four pigs presented, or four heads of lettuce. Each had a number, and we had to rank them and explain why to the judge. Here's an example: I ranked lamb number 3 as the best because it had a straight back, full hindquarters, and alert eyes. Number 4 was next, but didn't seem as healthy as number 3. Number 1's back was dipped and lacked development in chest and hindquarters. Number 2 was last—it seemed sick, thin, and its wool was matted. Thus, I ranked them 3, 4, 1, 2. 

4-H members start learning analytical evaluation at an early age. While "judgmental" often carries negative connotations—describing someone who forms harsh, critical opinions without being open-minded—what I learned was different. I developed the ability to be analytical, making informed judgments and rankings based on clear criteria and logical evaluation. 

Applying These Skills to Disney Vacation Club

This analytical approach now guides my evaluation of Disney Vacation Club properties. Just like those 4-H judging contests, I evaluate each resort through multiple lenses: location, convenience, room layouts, amenities, transportation options, dining choices, and overall value proposition. I consider both the pros and cons of DVC ownership, helping others make informed decisions about this significant investment. In my DVC playlist https://www.youtube.com/watch?v=WXGM_RRzOZ4&list=PLx_8Ja4anZU4oHlsC6u_9OQk-wMbfxf2d  - I break down each DVC property with the same methodical approach I learned in 4-H. I don't let Disney magic cloud my judgment—instead, I evaluate each resort's strengths and weaknesses objectively. Whether it's the convenience of staying at Bay Lake Tower with easy monorail access to Magic Kingdom or the potential drawbacks of a resort's distance from the parks, I aim to provide you with a clear and logical analysis.

My DVC Resort Judging Journey Continues as  I've been systematically visiting all the DVC resorts to provide firsthand insights. My next stop is Disney's Beach Club Villas in September, and I'm excited to experience this Epcot-area resort firsthand. From the famous Stormalong Bay pool complex to the easy walk to both Epcot and Hollywood Studios, Beach Club has always intrigued me, but I want to see for myself how it measures up against my analytical criteria. The same skills that helped me rank livestock at county fairs now help me rank Disney resorts. It's about looking beyond the surface magic to understand what really matters: practical considerations, value for your vacation dollar, and which resort truly fits your family's needs. 

Ready to Learn More?

 If you're considering Disney Vacation Club or just want to see how these properties really stack up, check out my DVC playlist https://www.youtube.com/watch?v=WXGM_RRzOZ4&list=PLx_8Ja4anZU4oHlsC6u_9OQk-wMbfxf2d 

I apply the same analytical approach to each property that 4-H taught me decades ago—because whether you're judging pigs or Disney resorts, clear thinking and honest evaluation never go out of style. Stay tuned for my Beach Club review coming this fall!

Writer for Hire - A Platypus Movie

 

"The way to get started is to quit talking and begin doing."  -- Walt Disney 

A typical storyline in a Western is that a new sheriff or sharpshooter comes to town hired to do one job, and instead, he's asked to do something different. In Quigley Down Under, Marston informs Quigley his sharpshooting skills will be used to eradicate Aboriginal Australians. In Blazing Saddles, Bart is hired as the sheriff to anger the townspeople. I love these two movies!

I have found that a Writer for Hire engagement can start with an understanding that you'll use your creative skills to adapt a book or write a screenplay from a treatment, or rewrite an existing script. The typical Writer for Hire agreement contains standard industry provisions giving full creative control to the producer while requiring the writer to comply with all directions. Under these terms, the producer owns all rights to the material in perpetuity, can make unlimited changes without writer's approval, and has no obligation to actually produce the screenplay.

This type of agreement has led to several notable disputes in the entertainment industry. Art Buchwald's case against Paramount in 1990 became a landmark example when he submitted a treatment that became the basis for Coming to America. Despite contractual similarities to his concept, the studio claimed independent development. The court ultimately ruled in Buchwald's favor, exposing problematic "Hollywood accounting" practices.

Another significant case involved David Elliot and Paul Lovett's dispute with Disney over Pirates of the Caribbean. The writers claimed the script derived from their submission but faced significant hurdles in proving ownership after signing a work-for-hire agreement. Similarly, Wes Craven's estate engaged in a prolonged battle with New Line Cinema over rights to A Nightmare on Elm Street, highlighting the challenges of termination rights under copyright law.

I have performed under five different writers' agreements, and I found one common thread: creativity is not encouraged. Even after submitting a detailed treatment and sitting through Zoom calls, taking notes and asking questions, like "Can I add new material?" and being encouraged to just that -- I ended up having to delete characters and scenes that were in my treatment.

Tip: Always write the first act and get the producer's approval before continuing! 

Fortunately, I'm from the software industry and we get requests like, "Could you move the Enter button to the left side of the screen?" Everyone agrees and we make the change. But then the users scream (or the script gets bad coverage) because nothing is where the audience or users are expecting it to be. In the technology world,  we end up having to rollback the update and put the Enter button back where it was. It does no good to remind them that THEY wanted the change. If you watch the film, The Majestic, the executives "brainstorm" and rewrite the script, "What if we gave the kid a disease? Then later, "People love dogs...always gross high, so instead of a disease, we give the kid a dog?"

But as screenwriters, we have certain rules that we've been taught; never open a movie with someone waking up - and never end it with someone saying, "It was all a dream." However, just as in the software industry, we make the changes without reminding the producer that they had encouraged us to alter the storyline and create new characters during our original meeting. But like Walt Disney said, "The way to get started is to quit talking and begin doing," which highlights his belief in taking action over mere words. Thank goodness I'm no longer a 30-year-old warrior trying to win arguments! It is so much faster to merely keep the old version and rewrite, rewrite, rewrite.

This is one of the reasons why I prefer emails or texts over group Zoom meetings, or phone conferences -- where everyone wants to create a movie "by committee." The platypus's odd combination of features evokes the idea of something "created by committee."  

I've seen so many movies that are a collection of great ideas - but they don't follow the required beats, sequences, act breaks that a movie needs and the structure that we're trained to follow. This was one of the problems with Electric State, a recent Netflix offering. Some of the comments were that the film was "incoherent," with critics finding the plot muddled, the action scenes repetitive, and the characters underdeveloped - a platypus.

It might be helpful for you to obtain coverage for the treatment or previous script before starting your Writer for Hire job, or simply ask the producer exactly what changes they want made. Otherwise you might be writing a platypus screenplay that is incoherent.

In my former tech career we had a saying; "you can have it cheap, good, or fast - pick 2 out of those 3," My "brand" in screenwriting is to provide producers with all three! I have high tech skills and know Final Draft and AI software, can type as fast as I talk. I'm well-educated in screenwriting and open to changes. Change the cat to a dog -- I can handle it!

Making First Contact

"Imagination will often carry us to worlds that never were, but without it, we go nowhere."  Carl Sagan

I'm a techno freak. I read science fiction and I watch science fiction. One of my producer friends is trying to get the option for one of my favorite science fiction books (hint, hint, Melissa!) Here's a picture of me on the opening day of Guardians of the Galaxy: Cosmic Rewind - at Epcot.

One of my favorite movies is Contact, a 1997 film with Jodie Foster as Dr. Eleanor "Ellie" Arroway, who makes first contact with aliens. Although I love science fiction, I've only written three screenplays that have elements of science fiction. Last Woman is more of a thriller with grounded science fiction.  It is about a young female scientist who suffers from a consuming fear of being alone due to a harrowing assault she endured in college.  When she tests a new device developed by her technology company, a strong electromagnetic pulse transports her to a world free of people and fears. But… she discovers that every time she does -- she grows further and further away from her reality and closer to the man who torments her. Another one of my scripts, Technically Soccer, is about a women's soccer team coached by a droid. Another script, Runaway Cricket  (in production at BlackOrb Studios,) is about a runaway girl befriending an alien. The first two are grounded sci-fi. Is Runaway Cricket grounded? 

What is "grounded sci-fi" and how does this set it apart from other types of science fiction? To really understand grounded sci-fi, it helps to first think about the broader sci-fi genre. Science fiction, at its core, imagines how the future might look based on speculations about technology, science, society and more. It asks "what if?" questions and creatively explores the possibilities. This could mean far-future worlds, alien life, time travel, alternate histories, and other mind-bending concepts.

But grounded sci-fi is a specific approach within this genre. The key word here is "grounded." This type of sci-fi tries to keep at least one foot firmly planted in reality. While it still speculates and imagines future possibilities, it aims to do so in a way that feels authentic and plausible based on what we currently know. Here are some key features that distinguish grounded sci-fi:

 1. Realistic science and technology: In Technically Soccer, droids already exist like AI-Me, (pronounced Amy,) which stands for Artificial Intelligence for Maximizing Efficiencies. Grounded sci-fi usually tries to base its speculative elements on real, cutting-edge science and engineering. The futuristic technologies feel like logical progressions from today's capabilities rather than pure magic or hand-waving. There's an emphasis on scientific accuracy and showing how these advancements might realistically function. 

 2. Relatable settings and characters: The worlds of grounded sci-fi tend to resemble our own, just with added layers of futuristic elements. The societies, cultures, and challenges faced by characters parallel contemporary issues in thought-provoking ways. Basically, despite the sci-fi trappings, this world still feels connected to and shaped by the one we know. Both of my "grounded" scripts take place in the present time and in ordinary settings; a house, an office building, and a soccer field. Runaway Cricket takes place in a small town that could be anywhere - on Earth. It is sort of a modern-day E.T., and if you believe in aliens...

 3. Exploration of near-future scenarios: Rather than leaping centuries or millennia ahead, grounded sci-fi often focuses on the near future, anywhere from a few years to a few decades away. It imagines the impact of emerging technologies, social trends, political changes, environmental challenges, etc., within a timeframe we can still reasonably wrap our minds around. I think the science behind Last Woman exists. An electromagnetic pulse (EMP) is a burst of electromagnetic energy that can disrupt or damage electronic equipment. The physics behind EMPs starts with a rapid acceleration of charged particles, which creates an intense electromagnetic field. This field induces electrical currents in nearby conductors - similar to how a changing magnetic field creates electricity in a generator, but far more intense and sudden. The current military significance of EMPs comes from their ability to disable electronic systems. This is one of the small storylines in my script. When the electromagnetic wave hits electronic equipment, it can induce voltage spikes that exceed what the components are designed to handle. This can burn out semiconductors, damage integrated circuits, and corrupt stored data. Could it make someone appear to "disappear?"

 4. Emphasis on plausibility and consequences: Grounded sci-fi doesn't just focus on the "wow" factor of futuristic concepts. It deeply considers the ripple effects, unintended consequences, and socio-economic implications of these advancements. It aims to tell believable stories of how technology intersects with human experiences, both good and bad. I explore this both in Technically Soccer and Last Woman.

Some well-known examples of grounded sci-fi include:

 - "The Martian" by Andy Weir: A realistic tale of an astronaut stranded on Mars, using real science to solve problems.

- "Minority Report" by Philip Kindred  Dick: A world where "precrime" police use psychics to arrest people before they commit crimes.

The book option that I'd like Melissa to get is similar to Minority Report. One of my favorite movies, is The Martian with Matt Damon, and I started a "Mars-like garden" in my backyard. 

But movies like "Star Wars," are superhero stories, far-future tales, and fantasy-leaning sci-fi wouldn't qualify as "grounded" because they tend to prioritize imagination and drama over realism. The picture above is outside Guardians of the Galaxy in Epcot. That is my favorite franchise of movies. 

 Getting back to Contact - the book vs. the movie, there are five differences I found;

 1. Ellie's childhood and relationship with her father: I write a lot of father/daughter scripts because for the past almost thirty years, I've been close to my father after my mother died. In the book, Ellie's father dies when she is quite young, fueling her interest in science and the stars as a way to feel connected to him. Her childhood, relationship with her father, and early passion for astronomy are explored in much more depth. In contrast, the movie begins with Ellie already grown up. It shows some flashbacks to her as a girl with her father, establishing their bond and her curiosity about the universe. However, this backstory is condensed compared to the book. The film focuses more on Ellie as an adult and her present-day journey.

 2. The nature and motivations of the alien message: The book goes into great scientific and philosophical detail about the alien message, its layers of meaning, and what it suggests about the nature and intentions of the senders. Decoding the message is a major plot point that reveals fascinating insights about the aliens. We don't have the luxury to write a 5-hour movie - unless your last name is Lucus or Coppola. Although a limited series is opening up in this area. The movie streamlines the philosophical, not delving as deeply into the message's complexity. The film is more focused on Ellie's quest to understand and respond to the message rather than its intricate content. The aliens' motivations are left more mysterious and open-ended.

 3. Ellie's romantic relationships: In the book, Ellie has a few romantic partners, including her longtime boyfriend Ken der Heer. Her relationships are realistically complex, influencing her emotions and personal journey throughout the story. Actors cost a lot of money, So the movie reduces this, making Palmer Joss Ellie's primary love interest. Palmer is a Christian philosopher, allowing the film to further highlight the faith vs. science themes. The on-again/off-again nature of their movie romance drives character development and provides conflict that isn't as important in a book.

 4. Ellie's role and the machine: Ellie is part of a large team building the machine in the book based on the alien instructions. She is not the sole passenger, with several international travelers taking the journey alongside her. Compare this to the movie where Ellie is the sole American representative and ends up making the voyage by herself due to sabotage and accidents. Having her go alone heightens the drama and keeps the focus on her individual experience when meeting the aliens.

 5. The meeting with the aliens: The book's alien meeting is an incredibly vivid, almost psychedelic journey through time, space and other dimensions. Ellie has lengthy, enigmatic interactions with the aliens who take on familiar forms from her mind. But In the film, the alien encounter is briefer and less abstract. The aliens appear as fuzzy, incorporeal versions of her deceased father. The dialog is more concise and less philosophical compared to the book. 

 But the best line in the movie isn't even in the book; "The universe is a pretty big place. If it's just us, it seems like an awful waste of space." Carl Sagan wrote this, but he also wrote the first draft of the screenplay. 

 Sagan and his wife, Ann Druyan began working on the movie, Contact in 1979. They wrote a film treatment over 100 pages long and set up the project at Warner Bros. with Peter Guber and Lynda Obst as producers. Nothing happened, so Sagan published Contact as a novel. In 1981, Simon & Schuster gave Sagan a $2 million advance on the novel. At the time, the advance was the largest ever made for a book that had not yet been written. Guess what? The film reentered development in 1989. With Zemeckis as director, filming ran from September 1996 to February 1997. Carl never saw the movie, he died in 1996. 

 Writing a book after the movie is something I'm very familiar with. Last year, I wrote Mama Dallas and Augie (published by Little Studio Publishing. It is based on two screenplays, one of them that I wrote; Augie. I'm hoping to write the third one, which would be the early years of Mama Dallas (Concetta) in Italy.

If we can dream…hey, that is the title of next month's blog!

 

Tap, Tap, Tap

 "Tap! Tap! Tap!" Those are the first three words of the new hardback book that I got for Christmas. It was Nancy Drew 16: The Clue of the Tapping Heels. I don't know where my mom bought it, but I remember that it had that new book smell and it was mine! I didn't have to return it to the library.

Escondido didn't have a bookstore back then before the Escondido Mall was built in 1964. I asked where my mom could have bought it new on a Facebook Group page, "I Grew up in Escondido." Mom isn't around to remember. The consensus was the Hardy Boys and Nancy Drew could be purchased at drug stores, grocery stores and even through the Sears catalog, which was a big thing at our house. I'd get my new underwear each year from that catalog and maybe one new school dress (we sewed the others.) 

 

But a new book was a treat, and I still remember this first new one about Nancy tapping out Morse code to get out of a basement. She was a smart girl detective, and I decided to become a detective after reading that. It was a short-lived goal. I was a farm girl, raised out in the countryside of Escondido and belonged to 4-H. I loved animals and wanted to be a large animal vet. My dream college was CalPoly, and I stayed on that path until one revealing day when my lamb got sick, and I needed to give it a shot. 

I woke up after fainting, and being the logical person that I was, I switched to plants and decided to focus on teaching the starving world to grow food. During college, they started killing Americans in Central America, so I changed from International Agriculture to Agribusiness and then to business with a focus on accounting and, later, computer programming. But I never forgot Nancy and my dream. My first solo novel was Murder in the Magic Kingdom, which combined my love of everything Disney and mystery. That title was taken, so it was published as Pixie Dust Death, A Wilma  Wallaby Genius Girl Detective Novel. 

This month, I signed an agreement with a UK production company that wants to develop Wilma Wallaby into an international kids TV show.  As a modern-day Enola Holmes, Wilma Wallaby is an aspiring kick-ass detective who thinks her bully of an older brother is always trying to murder her. You might remember a previous blog where I shared my childhood struggles growing up with a tyrant of an older brother. I still have a cap on the broken tooth from one of our fights that he won. I had a tiny closet in my room, and he'd stuff me in there for hours when my folks weren't home and lock me out of the house at other times. I hated being home alone with Stan. He'd hit me hard and threaten to do worse if I told Mom and Dad. He's dead now (no, I didn't kill him,) but I spent most of my childhood wishing I was an only child.

Getting back to Wilma Wallaby, there was one problem with my book; it was set in Disney World. Trying to get Disney to sign off on a murder mystery set in the happiest place on earth would take years. This month, I had to rewrite it to be set at a fictitious theme park in Florida, which I called Castle Country. It was fun; I invented rides, lands, restaurants, and hotels. There is Medieval Castle Land, Fairy Castle Land, The Swiss Alps and rides like Troll Trek and Screaming Sleds through the Swiss Alps. I think my Viking Cruise trip starting in Switzerland through the Rhine River castles last year finally paid off.

The new title is Wilma Wallaby Castle Caper - A Genuis Girl Detective Novel.

You can read for free with Kindle Unlimited or order it on Amazon. It opens similar to my favorite Nancy Drew - with a tap, tap - enjoy!

Amazon Link - https://us.amazon.com/dp/1736034863

Goals and Dreams

 As we near the end of the year, I look toward 2024 and start thinking of my goals and dreams.   After winning the Native American Media Alliance fellowship TWICE this year, I have a dream to win Disney, CBS/Paramount, NBC, Nickelodeon, and/or Warner Brothers in 2024. If I got selected - that would mean a year in Hollywood - and possibly getting hired to write for a TV show.  When I started this new career a year ago, I made a  three-phase plan.  Phase One was to write and rewrite lots of "inventory" of good scripts and then submit them to contests and fellowships during Phase Two.  

I've done well on the contest circuit, including being a finalist in The Austin Film Festival with my script. Kira and Henry.  I traveled to Austin for a few days to pitch my script, Blood Moon Wolf and meet and greet - but the BEST part was seeing my lovely niece (Stan's daughter) Andrea.  As I talked to her oldest son, Alec  - I realized that the last time I saw him was 20 years ago, when he was about 9.  After my mom died, I arranged a trip for my Dad and Aunt Madenia, to travel with me to visit Austin and see Andrea's family - but we haven't been back since. What a fun trip this was for me to see my gorgeous niece and her sons and handsome husband. 

The AFF - Austin Film Festival was amazing! I was first focused on pitching.  I had snagged a pitch ticket on Friday in the 3rd session. I completed Carole Kirschner's course, How to Pitch a TV Script that Sells and learned how to write and deliver a pitch - a method to "sell" a screenplay.  I was terrified, but it was amazing.  I had not allotted time for the laughs my pitch got.  I left the session - not as a winner, but elated that it went well, and so many came up to me after and said I should have won.  I truly felt like a winner. 

The AFF is also a writer's conference with tons of panels and roundtables to attend.  As the holder of the precious 2nd Rounder badge, I got to pick some special "finalists" only roundtables.  The two I wanted to meet the most were Megan Alderson, Creative Development Executive, Pixar Animation Studios and  Liz Kelly, Creative Talent Development Executive, at Disney.  I wasn't able to snag Megan's panel, But I did get a spot at Liz's roundtable. But I couldn't find her - the volunteer from AFF said that she hadn't shown up, so I sat at the closest table to the door - extremely disappointed.  I had come all this way and didn't see the two people I wanted to meet.

But then the BEST thing about AFF happened.  My table was led by Larry Postel, a non-represented screenwriter living in Dallas. Larry’s story is unique in that he has managed to have four original spec screenplays purchased, produced and released since 2020. He told us his secret; he sent out query emails after doing lots of research on who would be a good producer for his scripts.  Research?  That is my middle name!!!  Emails?  That is my life!!! I left walking on air and found a new direction.  

So Phase Three starts.  I want to sell a screenplay.  Another Carole course (How to Get the F* Unstuck)  that I took carefully taught me not to have goals that I can't control.  Times are tough in the entertainment industry after two long strikes.  There are backlogs of scripts, shows, and meetings. TV writer's rooms are filled. Everyone is too busy for emerging screenwriters like me. I can't control someone buying one of my scripts. So, as Carole taught me, I set a goal to send out 5 weekly queries. I will carefully write and record 5 pitches, write 5 query letters for my top 5 scripts and then read the trades, research producers, and send.  I finished my query pitch for Blood Moon Wolf, and I'm rewriting my pitch documents and creating pitches for my top 5 scripts. https://www.youtube.com/playlist?list=PLx_8Ja4anZU7427aV5A98VQUPYtmdfWJc

I made a YouTube of my trip to the Austin Film Festival with my visit with Andrea.  https://youtu.be/MOxjDbqX0sQ?si=YX0JXhxwjpnIavJw  - it is a little long, 28 minutes; beware!

I have now reached 68,000+ views on my YouTube channel! I do not have many subscribers, but I'm happy to get many views. Be sure and Like and Subscribe to be notified of the AFF video.  Next month, I will talk about my script, Kira and Henry and how I grew up thinking I could fly.

Out of my Comfort Zone

The Twilight Saga is my favorite series of films and books. I discovered the books from a 12-year-old.  Almost two decades ago,  I wrote an algorithm for a dating site based on music preferences and met in the patent attorney's office in Portland to explain the logic. During a break, I noticed one of the lawyers' kids reading Twilight. He gave such an amazing pitch that I stopped by Barnes and Noble on the way home (pre-Kindle days) and bought the book. I was hooked. 

After the movies came out, we took our granddaughters up to lunch at the View Point Inn, and it was magical to be there. My love for the Pacific Northwest beaches propelled me to buy a vacation home on the Oregon coast, a few miles away from where the beach scenes were filmed.  I was on "Team Jacob" during the movie since I'm Native American and rooting for the tribe and wolves.

Over the years, I've been fascinated with wolves, especially after finding out that we are descendants of the Wolf Clan of the Cherokee tribe. I wrote a Hallmark-like romantic comedy script a few years ago, Nature's Way, set in Seattle and Port Angeles, that discusses the reintroduction of wolves into the National Parks. After doing genealogy research about my family's life before they were relocated from North Carolina to Oklahoma during the Trail of Tears, I wrote my first solo YA/MG book, Sleep Warrior, set in Cherokee, NC and the Eastern Band of the Cherokees. However, I wanted to learn more about my Oklahoma roots since my grandmother went back to the reservation close to Tulsa to die.

A few months ago, I went to Washington, D.C., to see one of my pictures that was accepted into the Smithsonian's Mirror, Mirror exhibit about the Disney Parks. While there, I visited the National Zoo and spent a lot of time with the red wolves - watching them. I decided to write a script centered around the red wolves - but in Oklahoma.  I've never written a teen light horror/fantasy script, nor one with a male lead, so I decided to write Blood Moon Wolf for my Native American Media Alliance Feature Film project this month. I had pitched 3 scripts, and this one was my last choice.  First was Kidnapped Kangaroo, which I've started this month writing as a YA book, and next was Chocolate Factory Death, based on a near panic attack I had around the loud machinery inside the Lindt chocolate factory I toured last year in Cologne, Germany.

But my cohorts liked my Blood Moon Wolf  "mini treatment" the best, so I took a deep breath and jumped into the abyss of the unknown. Teenagers as the leads? How do they talk? I reached back into the memory of helping to raise my four granddaughters and decided to name the wolf after the oldest; the leader of the pack - Chandra.  My other character, Riana a combination of Suby, Vrinda, and Tulaasi - very strong young ladies.

The one thing that made it easier was that the instructor taught us the 8-sequence method. Wow, for someone who spent a career in a highly structured world of programming and accounting, this was catnip for me. I like to say that you can eat an elephant if you start with one bite at a time...meaning that breaking down a huge project like writing a DMS system can be done by one person. I proved that right when I created DealerStar DMS fifteen years ago and sold it a few years ago. Now, I get to write full-time, and I hope to never eat an elephant because I'm a vegan and animal lover. If I write a great movie, it will be because my cohorts coaxed me out of my comfort zone, and my instructor gave me a tool to keep me sane - along with the inspiration of my four granddaughters. 

I've been doing YouTube videos - to help promote my books - and I'm working on my Amazing Animal Kingdom series. If only we had wolves! Here's the Amazing Animals playlist. Thank goodness I don't have aspirations as a filmmaker!  But I love to tell my stories!

Next will be a video about my Wild Africa Trek adventure - really out of my comfort zone!

Here's the link to my videos about Disney's Animal Kingdom

https://www.youtube.com/playlist?list=PLx_8Ja4anZU7PdLL_kyT3kkTNaz3BhCQl

Right Tool for the Right Job

 I was a daddy's girl growing up. I'd follow my dad around like a puppy dog and learned how to graft a tree branch, change the oil in our cars, and even castrate cattle.  My dad also always said "The right tool for the right job."  I learned when to use a hammer vs. a mallet and I won't go into the castration tools!

When it comes to screenwriting, I'm a huge Final Draft lover.  I have three different licenses; one for my Windows laptops (they let you install on 2,) and another for my MacPro that was generously given us by Final Draft during the Native American Media Alliance Writer's Lab Fellowship in June 2023, and I recently bought the new mobile version for my iPad.  I like this version because it is simple to put in night mode when I take the iPad to bed to read a cohort's script or do a final proofing of my own.

I put all my scripts on Google Drive, so easy to pull up the latest revision - no matter if I'm using Windows or Mac. I prefer the Mac version when I have the script read to me because the speed is much better than the Windows version.  I've been using the Windows version for over 20 years - upgrading from Final Draft 6 - all the way up to Final Draft 12 now - so I'm more familiar with the screen layout. I like the structure of Blake Snyder's Saving the Cat - and I normally start that Template - Beat View, then when I get done outlining, it is easy to Insert, Send to the Script and then start writing.

Final Draft wasn't the first screenwriting software that I learned.  I attended UCLA in early 2000 and selected MovieMaster 2000 as my first tool.  After a few years, I switched to Final Draft because it seemed like more people in my class used that.  You might wonder why I haven't been more successful if I've been writing screenplays for over 20 years.  That is because after finishing UCLA and writing a few scripts, we had a family tragedy and I had to stop writing and focus on my technology business.  For the next couple of decades, we helped raise our grandaughters and earned enough to support two families. 

 Fast forward to last year, when I sold my software company and turned back to screenwriting.  I started learning again how to write and rewrite and entered contests.  I've done well and now have quite a few scripts ready to be produced.  I'm in the pitching phase - learning how to sell my screenplays.  I won a second NAMA - Native American Media Alliance Fellowship that starts at the end of August 2023 and goes through November.  My next feature screenplay will be started from scratch and I'll have the input of my cohorts and instructor.  My first step is to create 3 pitches and I've asked my family and friends to rate them to help me pick the one I want to write about.  Hopefully, by November, I'll have a great script and pitch it at Skinfest.   https://nama.media/sandi-jerome/

Getting back to the "right tool for the right job," I'm also learning how to use a Mac to make my YouTube videos.  This month was my first using iMovie instead of Movavi for Windows which was getting slower and slower and difficult to move videos and photos from my iPhone to Windows.  I was considering changing to an Android phone to make things easier, but in the end, I only needed to learn iMovie.  One thing that I've learned is once you've learned a type of software, it was pretty easy to switch to another one. I easily switched from MovieMaster to Final Draft and now, I've learned iMovie after years of using Movavi.  I'll use Final Draft for Mac to have my script read to me and the iPad version to read late at night.  The right tool for the right job.  I'm going to print this and send it to my dad - I know he'll be proud.

Here is my latest YouTube about our trip in April to Disney's Castaway Cay. I've been behind, but after changing to a Mac, I should be able to get these done quicker.
https://youtu.be/5wI44tPY-KU

Kissing Frogs

I'm a Star Trek fan - not at the Trekkie level, but I often quote the Prime Directive and First Contact when it comes to letting people be themselves and trying not to disturb them. Up until this morning, I would almost have a panic attack at the thought of networking. I’m an introvert, but when the situation dictates, I can come out of my comfortable cocoon and transform into a social butterfly – but that was in a prior career when it meant survival.

I’m taking a course from the Hollywood Game Plan author Carole Kirschner, and last night’s bonus episode was The Ultimate Guide to Stress-Free Networking. Carole inspired a new perception of confidence and attitude about “getting out there.” Being a super techie, I created my Contacts database this morning to hold my Native American Media Alliance fellowship cohorts, along with the producers, agents, and managers with whom I have made “first contact.” I have 56 records so far. In my prior career, I had over 11,000 – so I have a ways to go.

Another homework assignment was to make a list of my screenwriting objectives, and my highest priority is to pitch my entry to Nicholl’s, Last Woman at The Austin Film Festival in late October. Like the producer of The Godfather, Allen Ruddy, I worked in technology before devoting myself full-time to screenwriting - and I like to write scripts about sci-fi and technology going wrong - or, as we like to say – “unexpected results.” I was lucky to learn the craft of screenwriting from the ultimate source of frightening Sci-Fi: Jack B. Sowards, who wrote Star Trek II - The Wrath of Khan. He was my instructor during my Advanced Screenwriting Program at UCLA. I don’t know the name of those things that went in the ear that ate the brains in that movie, but this blog is about frogs. Yes, frogs.

I was born and raised in California; my mother’s family moved to Anaheim in the late 1800s. I grew up in Escondido, and when we’d go to Disneyland, my parents couldn’t tell me because I’d get so excited - I’d throw up. I’m that big of a Disney fan.  I think it was a Disney movie that coined the phrase, “You have to kiss a lot of frogs before you find Prince Charming.”

A few years ago, I wanted to sell my software company and write full-time.  I met with 24 companies that wanted to buy mine - but things never worked out. I’d tell my husband, “Well - that was another frog.”   I had pretty much given up until one day, an investor asked me to call a young man who was getting started in the business and needed help.  Networking – oh no!  I didn’t want to help a competitor - and all this frog-kissing and running my company was stressing me out - but I did it anyway. We had a wonderful chat.

It was a shock to discover that we had attended the same high school in Escondido - even though we ran companies thousands of miles away - in opposite directions. Even weirder was when I heard his last name, and we figured out his father was my brother’s best friend.  It got even stranger - the next month, we were each returning to Escondido - it was his grandmother’s 90th birthday and my parent’s wedding anniversary.  We agreed to meet, and he ended up being the prince I was looking for, and even though I’m not uber-rich - his company bought out my stock by paying me enough each month to enable me to write full-time. Now I’m looking for a princess or prince to be my manager, agent, publisher, and/or producer, - so I’m ready to start networking and pucker up to kiss more frogs! 

Doing What You Love

 

My dad always said that if you can find something that you love to do, you’ll never need to retire.  That happened to me last year.  I sold my software company and started a new career in writing.  It wasn’t really “new” since I wrote technical manuals, computer help guides, and magazine articles over the years for work – but now….I could write whatever I liked.

I tried to have a writing “job” two decades ago and completed UCLA’s screenwriting and advanced screenwriting program.  I wrote a dozen screenplays and got my first gig of writing a screenplay for an animation studio and my first check of $1200.  Wow!  But then, tragedy struck our family and we needed to  help raise and support our four young granddaughters. Financial worries crept up, and I had to abandon that dream of being a writer and take on some pretty hefty responsibilities as I ran my software company as we got our granddaughters to soccer, swimming, dentists and doctors.

One of my first screenplays was based on a woman I met at an assisted living center, Lily.  At 86, she joked that she was “in God’s waiting room,” and often told me that she was ready to die.  I would see her weekly when I would help the elderly send and receive emails from their families.  It was a volunteer program that we developed called Web on Wheels.  I would set up my computer in the activity room and envied the residents with so much time on their hands to do crafts, play bingo, and even learn to dance!

Time for Lily was a First-Round Finalist in Script Magazine Open Door Contest back in 2000 – 23 years ago.  I’ve rewritten it 19 times – including the most recent one after getting coverage.  Now, I think it is finally close to being “screen-ready,” and I’m submitting it again to various contests. If you’d like to read it, here is the link.  https://sandijerome.com/free/TimeforLilyComedyRW.pdf

The real Lily that inspired me died in 2006 at 92, and now I’m closer to Lily’s age when we first met, than to the “young” character, Megan, on who I based my hectic life.  But today, I am truly doing what I love – writing.

I recently met someone who appears to also be doing what he loves.  The Festival of the Arts at Disney’s Epcot is my least favorite festival – with the Food and Garden being my first choice.  At the arts festival, the food is often “deconstructed,” – but this year, they had a hummingbird cake and soft-shell crab – that were amazing.  Along with not being big foodie lovers of elevated cuisine, we also don’t appreciate fine art that much.  But we’re huge fans of Grogu, and The Mandalorian and this print caught Keith’s eye.  We bought it for $89 – which after our annual passholder discount and tax, was $85.  Then, the Disney cast member told us that the artist was back in Germany at the Thomas Kinkade booth and would sign our print.

Well…that was quite a signing.  Not only did I get it signed, but I got to pick out what was on the back and I picked Yoda.  It was also a special treat for the artist Dirk Wunderlich to explain to me why Grogu cannot be Yoda as a baby.  Dirk is about seven years older than me and is a Thomas Kinkade legacy artist who has done images and logos for Disney.  We talked about my ties to Anaheim (my great-grandmother once owned orange groves where Disneyland now stands) and my hometown of Escondido and why I now live in Clermont – at 300 feet.  He has selected a home in Northern California at 400 feet! We’re both trying to avoid death by earthquakes or hurricanes/global warming floods.

I would imagine, at about 75 years old, that Dirk can live anywhere or do anything, but he spends long days at Epcot, drawing on the back of his prints – for free – and talking to people like me.  He appears to truly be truly doing what he loves and will probably never retire.

Visit my website at sandracookjerome.com to read my screenplays or books - or if you want to buy a book, there are pictures and links on my website. I hope you are doing what you love!

Here's a link to my YouTube about my visit with Dirk Wunderlich at Epcot - https://youtu.be/oeq9eSz-yos

 

Risks vs Reward - April 2022 Quarterly Newsletter

 

Risk vs. Reward

I use a "risk vs rewards" concept to make decisions.  I suffer from huge  FOMO  - fear of missing out, so when it comes to doing something that I want - I weigh the risks.  For my birthday, I wanted to go on the Wild Africa Trek at Disney's Animal Kingdom.  It comes with lots and lots of risks, here is a small excerpt of the warnings; For your safety, you should be in good health and free from high blood pressure; heart, back or neck problems; motion sickness or other conditions that could be aggravated by this adventure. Expectant mothers should not participate. The safety harnesses used for this experience may prohibit Guests of certain body shapes or sizes from participating.  You must have physical stamina, comfort with heights, and the surefootedness to negotiate small hills, foliage and unsteady rope bridges on this tour. 

For me the biggest risk was no bathroom access for over 3 hours - and they give us a free water bottle and constantly remind us to hydrate!  What a risk for an old lady with a tiny bladder!  But I did it and the reward was worth the risks.  I got to see my favorite animals up close and personal.  We went behind the scenes of Disney's Animal Kingdom and got to eat an amazing meal out on the savannah amongst the animals.  This was a big bucket list item for Keith.  He had originally wanted to go on a real African safari,  but downgraded it to this.  He worked very hard over the past five years to recover from his stroke and regain his balance to enable him to make this excursion.  He minimized the risks to enable this reward.

Profit Accounting Guide

Now, I am embarking on another huge risk; becoming a full-time writer.  I spent the past fifty years working my way up the ladder in the automotive technology world.  I would often make a few jokes; trying to get car dealers interested in technology is like trying to get nuns to like pornography and yes, most car dealers are highly qualified and have a PHD, which stands for "papa had a dealership."  That career had lots of risks, but the rewards were numerous and you can read about that in my free Profit Accounting Guide below.  But I was able to minimize the risks in that career by becoming highly qualified; earning my accounting degree and CPA, learning computer programming, and training myself on dozens of different DMS systems (the software that runs dealerships and communicates with the factory.)  I ended up designing my own  DMS, DealerStar and sold that three years ago to a bigger company, DealerTeam.  To hear more about this journey and maybe help your accounting skills, it is now available on Amazon. 

https://www.amazon.com/Profit-Accounting-Guide-Profit-focused-Dealership-ebook/dp/B09YYJ93ZV

Amazing Animals of Disney's Animal Kingdom

But now I take a new risk and I have been diving into it over the past few years in my free time while turning over my company to the new management.  I tested the waters of self-publishing and wrote a non-fiction book about one of my passions; the Amazing Animals of Disney's Animal Kingdom.  Here is a download link below to look at the pre-final copy that I'll upload to Ingram and Amazon on April 30th.  If you'd like to be in the acknowledgements - just send me an email to sandi.jerome@gmail.com with your comments, suggestions, blurbs, etc.  I have been handing out free copies at the park to the cast members and guests and the reception has been wonderful. 

Sleep Warrior

During the Covid lock down, I gave my granddaughter the job of teaching me fiction by having her convert my award-winning screenplay, Princess Quest into a novel and used the wonderful graphics of my other granddaughter, Tulaasi (who did the graphics for the free Profit Accounting Guide above) and the graphics of my best friend, Laura.  Again, we self-published.   I found that book publishing and promotion takes away from what I truly love; telling stories.  

One of my passions is genealogy and I try to write a Facebook posting every week called Throwback Thursdays to share in my two family groups; The Phillips Family and Nellesen Family. It is great having 36 first cousins and thousands of 2nd and 3rd.  When I was researching the Native Americans on my paternal grandmother's maternal side (Phillips;) I found the Native American that we trace our roots to; Clarissa Phillips.  She became the dream spirit superhero of my first fiction book, Sleep Warrior - for the middle school audience.   

I think the time is right for this type of book.  On page 28 this month of Anadisgoi, Official publication of the Cherokee Nation  https://issuu.com/anadisgoi/docs/no.13_anadisgoi_winter_spring_2022 there is an article about the Marvel Voices Heritage - Indigenous Voices that will have a Cherokee character in a future series.  This is the artwork created by a member of the Cherokee Nation.    

My own novel, Sleep Warrior is about a preteen girl, Aya, who is half Cherokee, but looks like she is right off of the ‘res’ as the kids at her new huge public middle school in Asheville, NC refer to her. After moving from Oregon during the summer, Aya hasn’t been able to make friends like her twin brother, Alec. When the ever-popular mean girl, Chrissy, makes fun of her brother’s severe stutter, Aya gets Alec to smile again with some clever revenge, but it comes at a price.  

To make matters worse, Aya starts sleepwalking. She discovers that her ancient Cherokee ancestor, Clarissa, is taking over her body each night.  Clarissa is your typical superhero; flying around on a talking bear, saving a little girl from drowning, rescuing a hiker, and now she wants to expose the danger of a new dam.  Aya desperately wants her body back and to fit in at her new school.  With the help of another Cherokee kid at school and two talking bears, Aya discovers that sometimes to fit in, you need to find your own tribe.

I am looking for family and friends (old and new) to read this and provide me with a critique or review of the book.  Please send your comments to sandi.jerome@gmail.com.  It has been a long time since I've been around middle schoolers; my own granddaughters are now grown in their 20s, so my only input is listening and observing them at the Disney Parks which we frequent a few times a week as Annual Passholders.  Please download a free copy here.  Download PDF link - https://www.sandijerome.com/free/SleepWarriorSandiJerome.pdf

Now comes my big risk.  I will be having this critiqued at the SCBWI conference next month and also be sending out query letters to agents and publishers.  I have minimized the risk by reading a fantastic book over 9 times and doing ALL the exercises; including waiting 90 days.   It is by Mary Kole - Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers 

I made the decision to change from self-publishing to being a PAL - Published and Listed author.  This means that a major publishing house has published my book.  I was a "PAL author" in 1990 when I wrote a computer manual for Lotus 1-2-3 (a popular spreadsheet program before Excel.)  I was lucky; I came up with an idea and sent out 3 query letters.  This was before the Internet so everything was snail mail and 2 letters came back as invalid addresses.  The 3rd one ended up with a phone call from an editor at Compute! Books saying he was publishing my book!  It was exciting and I used the money to buy a laser printer which cost more than my car.  But now, I go into the other "R" arena and the risk of rejection since the children's book market is huge.  My new question for myself;  is it worth the risk AND rejection?  The risk of my finite time left on this earth, the humiliation of criticism and rejection for the reward of being a PAL author again?  Yes, it is - because I have so many stories to tell and I get up wanting to write.  

I hope you like this Sleep Warrior story and if you're not already,  please Subscribe to my Quarterly Newsletter - I'm changing this from monthly to Quarterly to give me more time to write.  I will send you a link for this update; next time in July 2022 and maybe some more FREE things to download. Go to https://www.sandijerome.com/subscribe.html and enter your email address and then click Subscribe.  You'll get an email from SmilingEagle (our self-publishing venture) to Opt-In after you click the Subscribe button.  That email might be in your SPAM.  

Thank you for reading!

Sandi

https://www.sandijerome.com