How do you get a star to read your script? You get their agent to send it to them. Everyone has told me that sending emails would be horrible for my image - and I'd look like an amateur. For me, that was great news! An amateur is someone who pursues an activity for pleasure rather than for money. The word "amateur" comes from the French word for "lover," indicating a person who loves doing something for its own sake. I recently read Cynthia Erivo's book, Simply More: A Book for Anyone Who Has Been Told They’re Too Much. That's me! I always do "too much!"

    I don't mean to date myself, but I was an early adopter of email. In the 1980s, while in college, there was a bulletin board system that enabled my classmates, especially those of us taking programming classes, to communicate. In the late 80s, I used Prodigy and CompuServe, and then the one I still have today, AOL. Don't laugh! Keith and I have had our shared email of sandikeith@aol.com for over 30 years! I'm a loyal person; been married to the same guy for over 50 years, still have my two best friends from before my teens. As long as something "works," I stick with it.

Sure, we get about a thousand emails a month, including one from my high school civics teacher after I send him a monthly update of my writing.  Yes, I treasure those who helped make me who I am today, and I have a long memory! Like I said, I'm loyal to those who are kind.

I was originally going to title this blog - email is dead because for many, this has gone the way of fax machines and landlines - but I was wrong when I sent out 30 experimental emails to agents. Two things happened: I got instant responses from agents! Yes, one was within a day, sending me release forms, and another was a phone call - a few hours after I sent the email! Both plan on sending my project to their A-list talent. It makes sense; a star would expect their agent to send them scripts to read. Sure, the proper procedure is to first get a producer, then investors and development funds - and then pay a star to read your script - but think about it - many stars have their own production companies and they NEED great scripts; scripts that are written by a writer who is eager! A writer who is "too much!"

Nobody can tell me that email doesn't work, or that my enthusiastic emails are "unprofessional" for a writer. I was able to build a multi-million-dollar tech company that today operates in dozens of countries - via email. While building my company, I didn't take on any debt. I had a 15,000+ email list from my years as a consultant. I used it first to attract attendees to my workshops so I could stop traveling over 200,000 miles a year and stay home to program. 

 When we started installing the systems, I needed to stop all travel and workshops to support those systems 24/7. I used that email list to sell my training guides and books, and keep us out of debt. Eventually, I needed employees, hosting and expensive certification. I used my email list to attract investors. It was one of those emails that alerted one of my earliest investors that I should consider merging with a bigger company - and we worked out all the details for the next few years -  everything happened via email! 

    

When I started down this path to becoming a professional screenwriter, Keith and I wrote software to handle emails and queries to producers, agents, and managers, SmilingPitch. We are still perfecting the software, and I'm the only user. Sure, we might be building another tech company, but in the meantime, we have someone lined up to take over the company if we both get hit by a bus. For now, my hubby and I are handling all the programming, testing, and modifications. Why? Because it works and it is a blast!

    

When will SmilingPitch be ready? You'll know when you get an email! We're still testing it and sending more emails. Be sure to visit my website, click the Free Stuff Link, and enter your email address. You'll also get my free e-book, Writing is Life!

I've named March Marketing March Madness. I'm learning how to market my books. I've spent the past few years writing and writing - and now I have lots of books, but now it is time to get the word out. My strategy is simple; I've picked 3 books, and for each, I'm doing a different plan and my budget? Less than $300 for all 3 books!

1.  Blood Moon Wolf – This is my latest book release and the first in my Cherokee heroes series. I'm going "wide," posting trailers, and focusing on my Amazon Author page. My A+ content (formerly Enhanced Brand Content) and Editorial Material were approved and uploaded by Amazon today. I also published this book everywhere - from Apple to Nook. No cost yet, but I might try a few Amazon promos.

1. Wilma Wallaby Series – I'm a Platinum member of Written Word Media, which sends out hundreds of thousands of emails. I'm running stacked "promos" and pricing the first in the series at "free." One went out a few days ago and tripled my sales for the month - and my big 3 promo goes out on March 10th - for 4 - only $189.

1. Kira and Henry Series – Targeted Social Media – writer’s groups, because it was a semifinalist in the Kindle book review, and I have book #4 being released in March. I'm building a mailing list by offering free downloads on my SandraJerome.com website. I've already made friends with a new producer who downloaded a free example of my script pitching tools. I'm looking at Reedy Discovery too.

What works? Stay tuned, and I'll give you the results - yup, via emailed newsletter!

Out of my Comfort Zone

The Twilight Saga is my favorite series of films and books. I discovered the books from a 12-year-old.  Almost two decades ago,  I wrote an algorithm for a dating site based on music preferences and met in the patent attorney's office in Portland to explain the logic. During a break, I noticed one of the lawyers' kids reading Twilight. He gave such an amazing pitch that I stopped by Barnes and Noble on the way home (pre-Kindle days) and bought the book. I was hooked. 

After the movies came out, we took our granddaughters up to lunch at the View Point Inn, and it was magical to be there. My love for the Pacific Northwest beaches propelled me to buy a vacation home on the Oregon coast, a few miles away from where the beach scenes were filmed.  I was on "Team Jacob" during the movie since I'm Native American and rooting for the tribe and wolves.

Over the years, I've been fascinated with wolves, especially after finding out that we are descendants of the Wolf Clan of the Cherokee tribe. I wrote a Hallmark-like romantic comedy script a few years ago, Nature's Way, set in Seattle and Port Angeles, that discusses the reintroduction of wolves into the National Parks. After doing genealogy research about my family's life before they were relocated from North Carolina to Oklahoma during the Trail of Tears, I wrote my first solo YA/MG book, Sleep Warrior, set in Cherokee, NC and the Eastern Band of the Cherokees. However, I wanted to learn more about my Oklahoma roots since my grandmother went back to the reservation close to Tulsa to die.

A few months ago, I went to Washington, D.C., to see one of my pictures that was accepted into the Smithsonian's Mirror, Mirror exhibit about the Disney Parks. While there, I visited the National Zoo and spent a lot of time with the red wolves - watching them. I decided to write a script centered around the red wolves - but in Oklahoma.  I've never written a teen light horror/fantasy script, nor one with a male lead, so I decided to write Blood Moon Wolf for my Native American Media Alliance Feature Film project this month. I had pitched 3 scripts, and this one was my last choice.  First was Kidnapped Kangaroo, which I've started this month writing as a YA book, and next was Chocolate Factory Death, based on a near panic attack I had around the loud machinery inside the Lindt chocolate factory I toured last year in Cologne, Germany.

But my cohorts liked my Blood Moon Wolf  "mini treatment" the best, so I took a deep breath and jumped into the abyss of the unknown. Teenagers as the leads? How do they talk? I reached back into the memory of helping to raise my four granddaughters and decided to name the wolf after the oldest; the leader of the pack - Chandra.  My other character, Riana a combination of Suby, Vrinda, and Tulaasi - very strong young ladies.

The one thing that made it easier was that the instructor taught us the 8-sequence method. Wow, for someone who spent a career in a highly structured world of programming and accounting, this was catnip for me. I like to say that you can eat an elephant if you start with one bite at a time...meaning that breaking down a huge project like writing a DMS system can be done by one person. I proved that right when I created DealerStar DMS fifteen years ago and sold it a few years ago. Now, I get to write full-time, and I hope to never eat an elephant because I'm a vegan and animal lover. If I write a great movie, it will be because my cohorts coaxed me out of my comfort zone, and my instructor gave me a tool to keep me sane - along with the inspiration of my four granddaughters. 

I've been doing YouTube videos - to help promote my books - and I'm working on my Amazing Animal Kingdom series. If only we had wolves! Here's the Amazing Animals playlist. Thank goodness I don't have aspirations as a filmmaker!  But I love to tell my stories!

Next will be a video about my Wild Africa Trek adventure - really out of my comfort zone!

Here's the link to my videos about Disney's Animal Kingdom

https://www.youtube.com/playlist?list=PLx_8Ja4anZU7PdLL_kyT3kkTNaz3BhCQl

Doing What You Love

 

My dad always said that if you can find something that you love to do, you’ll never need to retire.  That happened to me last year.  I sold my software company and started a new career in writing.  It wasn’t really “new” since I wrote technical manuals, computer help guides, and magazine articles over the years for work – but now….I could write whatever I liked.

I tried to have a writing “job” two decades ago and completed UCLA’s screenwriting and advanced screenwriting program.  I wrote a dozen screenplays and got my first gig of writing a screenplay for an animation studio and my first check of $1200.  Wow!  But then, tragedy struck our family and we needed to  help raise and support our four young granddaughters. Financial worries crept up, and I had to abandon that dream of being a writer and take on some pretty hefty responsibilities as I ran my software company as we got our granddaughters to soccer, swimming, dentists and doctors.

One of my first screenplays was based on a woman I met at an assisted living center, Lily.  At 86, she joked that she was “in God’s waiting room,” and often told me that she was ready to die.  I would see her weekly when I would help the elderly send and receive emails from their families.  It was a volunteer program that we developed called Web on Wheels.  I would set up my computer in the activity room and envied the residents with so much time on their hands to do crafts, play bingo, and even learn to dance!

Time for Lily was a First-Round Finalist in Script Magazine Open Door Contest back in 2000 – 23 years ago.  I’ve rewritten it 19 times – including the most recent one after getting coverage.  Now, I think it is finally close to being “screen-ready,” and I’m submitting it again to various contests. If you’d like to read it, here is the link.  https://sandijerome.com/free/TimeforLilyComedyRW.pdf

The real Lily that inspired me died in 2006 at 92, and now I’m closer to Lily’s age when we first met, than to the “young” character, Megan, on who I based my hectic life.  But today, I am truly doing what I love – writing.

I recently met someone who appears to also be doing what he loves.  The Festival of the Arts at Disney’s Epcot is my least favorite festival – with the Food and Garden being my first choice.  At the arts festival, the food is often “deconstructed,” – but this year, they had a hummingbird cake and soft-shell crab – that were amazing.  Along with not being big foodie lovers of elevated cuisine, we also don’t appreciate fine art that much.  But we’re huge fans of Grogu, and The Mandalorian and this print caught Keith’s eye.  We bought it for $89 – which after our annual passholder discount and tax, was $85.  Then, the Disney cast member told us that the artist was back in Germany at the Thomas Kinkade booth and would sign our print.

Well…that was quite a signing.  Not only did I get it signed, but I got to pick out what was on the back and I picked Yoda.  It was also a special treat for the artist Dirk Wunderlich to explain to me why Grogu cannot be Yoda as a baby.  Dirk is about seven years older than me and is a Thomas Kinkade legacy artist who has done images and logos for Disney.  We talked about my ties to Anaheim (my great-grandmother once owned orange groves where Disneyland now stands) and my hometown of Escondido and why I now live in Clermont – at 300 feet.  He has selected a home in Northern California at 400 feet! We’re both trying to avoid death by earthquakes or hurricanes/global warming floods.

I would imagine, at about 75 years old, that Dirk can live anywhere or do anything, but he spends long days at Epcot, drawing on the back of his prints – for free – and talking to people like me.  He appears to truly be truly doing what he loves and will probably never retire.

Visit my website at sandracookjerome.com to read my screenplays or books - or if you want to buy a book, there are pictures and links on my website. I hope you are doing what you love!

Here's a link to my YouTube about my visit with Dirk Wunderlich at Epcot - https://youtu.be/oeq9eSz-yos

 

Late to the Game

I didn't find out I was Cherokee until my grandmother died.  I hadn't seen her for a few years and I asked my dad, "Where?" He said that she went back to the reservation and died in one of their rest homes. 

The reservation - seriously?  I was finding out as an adult that I was Cherokee.  There were so many questions that I wanted to ask her and now she was gone.  "What was it like and how did you feel about being Native American?" But the biggest question, I asked my dad.  "Why didn’t you tell anyone we were Cherokee – including me?"

My dad explained that in the 1950s and 60s, being a Native American was not a good thing.  It would have hurt his ability to get work since the stereotype was a drunken and lazy "Indian."  He didn't tell anyone and neither did my grandmother.  Before my oldest aunt died, she mailed me things that had belonged to my grandmother.  On the back of her marriage certificate, my grandma wrote the names of each of her children and for some of them; the day they died.  She had 7 children; her oldest son died in World War II, her youngest daughter death is an unsolved murder or accident in Oklahoma, and one baby died a few months after birth.  She had a hard life. 

My grandmother was married at 16 and had her first baby, my Aunt Thelma, a few months later.  Her own parents lived in poverty in an area north of Bluejacket, Oklahoma that was incorporated into the Cherokee Nation in 1894.  Today it has about 300 residents.  There were nine people living in the same house, so I’m guessing that my dashing and older grandfather gave her an escape to a better life.  He was truck driver and made a living being a bootlegger - probably selling to the Cherokees.

My grandparents had their first three kids and ended up moving to Colorado where my father was born before moving again to California where I grew up.  I was the 2^nd youngest of 15 grandchildren, so I wasn’t close to these grandparents, especially when they moved back to Oklahoma when I was about ten. We never traveled there, my mother didn't like my grandmother and I think it was mutual.  My mother was German, and my grandmother's first born son died fighting the Germans.

After my grandmother’s death, I decided to join the Cherokee Nation and found her name on the Dawes Roll and filled out the paperwork.  My dad was getting old, so he asked that I enroll him too.  He was proud to get that tribal card and I was intrigued. Who was our actual Native American ancestor?

I am a genealogy buff and found so many of my ancestors on Grandma's side born in Georgia, North Carolina and Tennessee and then they died in Oklahoma.  I thought it might be how my mom's German side settled in Missouri and then migrated to California from 1901 - 1940, but this was different. 

Then I read the Trail of Tears. Why wasn't this forced march and the genocide of the Indigenous people taught in school?  We have finally inserted into history books some of the horrific things the European settlers did enslaving African Americans, but not too much is devoted to the genocide of Native Americans. An estimated 5 million to 15 million were living in North America when Columbus arrived in 1492.  That number was reduced to only a few hundred thousand by the close of the Indian Wars in the late 19th century.

Trying to teach kids today about the realities of this genocide is difficult.  “Cowboys and Indians” have been glamorized for years in our culture and I was guilty of it when I sat and watched the extremely inaccurate Pocahontas by Disney with my granddaughters. I’m thankful that I never dressed any of them up in Native American costumes for Halloween. How insulting that is to our ancestors. 

Borrowing from Disney, “A spoonful of sugar helps the medicine go down…,” I think the best way to tell this story and correct history is through our writing.  If we can tell the truth within another story that kids will be excited to read, then we’ll shine a light on problem.  We study history to help prevent things like this from happening again. My actual Native American ancestor, Clarissa Wright was in the Cherokee Nation East in 1826 then died in Oklahoma in 1936. She died young, leaving behind two small boys for a step-mother to raise. I could never find out what happened, but I decided to make up a story for her and make her a superhero.

In my first middle grade book, Sleep Warrior, I give the microphone to Clarissa and Aya’s crusty grandmother to teach our history.  In the book I’m currently writing, the protagonist has the microphone and with the passion of a teen, he tells the truth.  I’m thinking of calling it either Truth Warrior or Moon Sleep.

I might be late to the game, but I’m in it now.  I'm trying to teach my own granddaughters about being Cherokee and getting them involved in the tribe.  I am learning about our  Cherokee history and culture so that I can tell my stories authentically. 

I hope you’ll read my latest version of Sleep Warrior, which a kind editor and member of our tribe suggested that I rewrite into first person POV.  Here is the link - https://sandijerome.com/free/SleepWarrior%20Sandra_JeromeRWPDF.pdf

 

 

 

Make it Work, Make it Better, and then Make it the Best

One of my most exciting consulting engagements was a programming job for IBM. I went to the Thomas J. Watson Research Center in Albany, NY, and wore my favorite power suit for the calling up to the "mothership" of computer technology. I was early, and I watched employees arrive in attire that looked more like sleepwear than business attire.  When my contact person met me, he explained that programmers work there, and they were encouraged to be comfortable and focused on the task. He told me that our goal for the two days was to “make it work, make it better, and then make it the best.” 

With my first novel, Sleep Warrior, I am on the 9^th rewrite. I wrote the first draft a year ago to get it ready for the annual conference of the Society of Children’s Book Writers and Illustrators. I got two critiques, and both thought that the story worked but told me many ways to make it better. Next, I started a process of peer review, asking various middle-school teachers, parents, and students to read it. It started getting better over the past year during each rewrite.

Last month, I entered the Screencraft Competition for Cinematic Books and paid extra for feedback. I won’t know until next month if I’m close to the “best” goal and a finalist, but the feedback was positive and moved me up to 3^rd place in the Red List on Coverfly. 

I also entered my 2^nd novel, Murder at the Magic Kingdom, and it didn’t fare so well with the same reader. It didn’t “work,” and I’ve spent the past month making it better. I had to change my "kick-ass" girl detective from entering middle school to high school and the age category to young adult due to the violence from bullying, and of course, the whole “murder” thing might not be appropriate. It is odd because, during one of the breakout sessions at the SCBWI conference, one of the presenters said she’d like to see a murder mystery in middle-grade fiction, but I’m not sure everyone is ready for that, and the goal is to reach the widest audience and avoid getting blocked by the gatekeepers. But doing this rewrite up to YA let me add a romance for my main character, which was delightful to write. Ahh...first love. I hope that Murder at the Magic Kingdom is better, and I’m looking for some peer review if you’re interested in helping me make it the best.

https://sandijerome.com/free/MurderattheMagicKingdomPDF.pdf

Here is the coverage (feedback) I received for Sleep Warrior   

“This novel features a strong premise, compelling characters, and a satisfying narrative arc. The concept here works extremely well. You’re blending elements of an Adventure and Mystery here. Both genres hold an evergreen appeal for young audiences, and the market potential for an adaptation comes across clearly. The supernatural plot elements add a deeper texture to the premise. Centering this story in the experience of a half-Cherokee middle schooler allows you to explore a relevance and representation that’ll bolster the story’s appeal.

 In addition, Aya’s interest in technology provides an added STEM focus that the publishing and film industries greatly favor at this time. You might contemplate whether a feature film or series adaptation would better serve your vision for the story, as either option could certainly work. Because Aya’s middle school age, you might also consider live-action over animation, as that format may appeal more strongly to the intended “tween” demographic for a story such as this.

 The characters are compelling, relatable and charming. They’re complex and interesting: Aya’s conflicting feelings about her Cherokee roots, for example, Andrea depicted as a fiery, multitasking super mom, Adam as the vegan “peacemaker” of the family, or “salty, crusty, and fearless” (page 39) Grandma Enola. These are appealing characters, but you cleverly keep them grounded in relationship. An audience or reader feels their connection deeply, which raises the stakes of the story. Aya cleaning her feet on her pajamas and kicking them into a pile (page 3), for example, her desire to fit in, or her disgust at witnessing affection between her parents (page 5) are character details that will make her deeply relatable to her audience.

 The dialogue works well, featuring a naturalistic tone that serves to bring the character voices to life on the page. The relationships and family rituals are communicated particularly effectively: in lines like, “By Grabthar’s Hammer, you shall be avenged!” (page 8), Adam’s affectionate “Dynamite” nickname for Aya and “Firecracker” for Andrea, and Alec and Adam’s “Grrrrr” ritual on seeing the Bear Zoo (page 32). Dialogue like this emphasizes the relationships and traditions of Aya’s family, giving a visceral sense of their history and deep connection. This provides a strong background for the narrative and will serve to deepen an audience’s investment in the characters.

 The voice of the novel and Aya’s voice are one-in-the same, and her personality comes through well in the narration. The action is clearly communicated, but if you’re interested in a cinematic adaptation, I would recommend enhancing the visual descriptions of the narrative to ensure the cinematic potential for the story comes through on the page. You might, for example, give a more detailed visual description of the setting, using natural imagery to evoke a stronger atmospheric tone and communicate more about the stylistic approach to an on-screen adaptation.

 The story and structure are effective here. You initially introduce an intriguing mystery with Aya’s waking up wet, then set that aside to introduce the world and central characters with Megan’s taunting of Alec and Aya’s revenge plot. The narrative flows seamlessly between the central plot and a deeper glimpse at Aya’s internal concerns and conflicts. The story’s arc is complete, and each plot beat flows organically, one to the next. The choice to shift perspective, on occasion, to Nightwind, is particularly cinematic. It builds tension and effectively communicates the dramatic potential.

 Overall, this narrative would translate well to the screen, and I believe there’s a place in the current marketplace for your story.”

Here is the link in case you want to read and comment. I'm looking for a publisher and/or agent.

https://sandijerome.com/free/SleepWarrior%20Sandra_JeromeRWPDF.pdf 

How about my IBM job? We spent the first day making it work. It was hard not to stop and do things better, but he was right because I slept fine that night because we had a working routine. The next day was actually fun - making it better. The program was for Saab, and years later that was our first dealership where we installed our DMS DealerStar. It all came full circle for me and that dealership is still using the software we wrote, even after Saab is gone. After we sold DealerStar, I retired, but I still use that goal in my writing of “make it work, make it better, and then make it the best.”  

Years later, I was called to another mothership, Microsoft, but that story is for another blog, I did dress much more comfortably.  

 

 

Time Spent with Cats is Never Wasted

 It was Freud who said, "Time spent with cats is never wasted." I grew up on an avocado ranch with a dozen or so cats. They were "working cats" because they hunted and killed the gophers that ate the avocado tree roots.  But to me, they were pets. I gave each one a name, and the matriarch of the group was called "Funny Face." 

I made Funny Face an animal character in my latest book, Murder at the Magic Kingdom, and gave her two kittens named Lilo and Loki, which are the names of two of my granddaughter's dogs (belonging to Suby and Tulaasi.) I also have two grand furbaby cats that belong to Chandra; Jade and Jasper. They are the toddler twins in my book. I've always loved spending time with animals, although today, it is mostly from afar at zoos since I married a non-pet lover guy. But I always include some animals in my writing. My first solo Middle-Grade book, Sleep Warrior, had two flying bears. My next one will have wolves.

Along with writing, I love reading, and lately, I've read a lot of YG and MG fiction.  One of my favorite MG authors is Rebecca Stead. I almost did not become an MG writer because of her. While reading a fantastic book: Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle-Grade Readers, author Mary Kole recommends Rebecca's book, When You Reach Me.  After reading Rebecca's book, I thought, "I will never be that good." This book is a Newbery-Award-winning book that Mary uses to show writing in different types of POV (the character often addresses an unknown "You") and illustrates Unconscious Objectives.  I just finished another one of Rebecca Stead's books, The List of Things That Will Not Change. I enjoy stories of families coping with difficult situations. 

I read Red, White and Whole by Rajani LaRocca before the SCBWI conference and marveled at the new verse format.  This month, I was delighted to find another book in the same format that deals with a family tragedy;  Iveliz Explains It All by Andrea Beatriz Arango.  I'm also re-learning Spanish and delighted in the rich culture expressed in this book and enjoyed the "Spanglish." It reminds me of the richness of Salty, Bitter, Sweet written by CNN producer Mayra Cuevas.

I don't think I will ever write in verse; it was hard enough to transition from being a screenwriter to a novelist, and I was never a poet. But this format is fantastic for readers, the same way graphic novels have created a huge following.  Similar to a short story, these two formats enable me to read a whole book in a day and enjoy the artistic value of a graphic novel and the flowing craftsmanship of poetry in a verse novel.  I think the key is to read and encourage kids to read, even if it is a shorter graphic novel or verse novel.

My new mantra is "Time spent with a book is never wasted."  Even better if you're reading a book with a cat on your lap! Here's a picture of the real Jade and Jasper.

If you’re interested in critiquing my latest book, Murder in the Magic Kingdom here is the link where you can read the PDF version and I promise - I can take your criticism!

https://www.yogaiteach.com/MurderattheMagicKingdomPDF.pdf

As a new writer, I'm building up a newsletter list. Want to be the first to read new stuff or get free downloads?  Please subscribe to my free Quarterly Newsletter  at https://www.sandijerome.com/

Watch my latest YouTube videos at https://www.youtube.com/user/sandijerome

Thanks!

 

Teachers make a Difference

 

Mrs. Dankowsky and Mr. Alstrum were my two favorite teachers. I had Mrs. Dankowsky for two years; 2nd and 3rd grade. She had done such a good job fixing my stutter in 2nd grade that my mom insisted she stay our teacher for the next year.  I'm the person in the center of the photo - 2nd row, 4th from our lovely teacher.

Mr. Alstrum was my civics teacher for my senior year. He left my high school 22 years later and then became a middle-grade teacher until he retired. We email each other about once a month and I asked him to read my middle-grade fantasy book based on my Cherokee ancestors and he said, “Thanks for letting me read Sleep Warrior. I enjoyed the complexity of the plot and was impressed with the depth and breadth of knowledge readers will gain from it, as well as its contemporary relevance. I’m overwhelmed by the creativity and research that is so evident!”  I'm trying to get it published and will probably get lots of rejection emails, but this comment means so much.  If you want to read it, just send me an email to sandi.jerome@gmail.com.

As I remember him in high school, he wasn’t one to hand out compliments; you’ll notice when he signed my yearbook that put quotes around "good" student and he mentioned “when you were there” because I cut class a lot. High school was easy for me and I easily got bored and preferred to read the text instead of sitting in class.  But his class was worth attending.  I went to OGHS in the 1970s. Escondido was a Republican stronghold and Richard Nixon had just taken office as President; serving the whole time while I was in high school.  In my senior year, as some of my male classmates worried about going to Vietnam, the debate about the war took center stage in our civics class.  

It was taught by these two amazing guys; Bill Rutledge Jr., and Stan Alstrum.  I was the photo editor for the yearbook and staged this photo because they were always "fighting." 

They moved back the partition between two classrooms and “team” taught two classes together.  I think it was a first for OGHS.  As you can see in this picture; Mr. Alstrum tended to be the more liberal guy (eschewing the tie) and Mr. Rutledge was the more conservative.  Mr. Rutledge was raised in a Navy home.  My best friend, Laura liked Mr. Rutledge best, having worked with him and the swim team. She was also raised like my husband in a conservative military family. We often had heated debates since she was raised Republican (Nixon) and my family was long-time farming/labor union Democrats (Kennedy.)

Mr. Alstrum was voted our favorite teacher by our class.  Partway through my senior year, I was already accepted at Cal Poly and all scholarships had been applied for.  I had enough credits to graduate, but some obscure school rule said I had to take a minimum of 4 classes my last semester.  When I complained to Mr. Alstrum, he suggested that I be his teacher’s assistant for period 4, which was his lunch hour.  This enabled me to get to work by 11AM and work the day shift at Farrell’s Ice Cream Parlor to save money for college.

The debates offered by these two amazing teachers helped me see both sides; since I adored both of them.  To this day, I don’t take a liberal or conservative view of anything; instead, I use the skills these two guys taught me to investigate the full issue and then debate the pros can cons.    Sadly Mr. Rutledge died early in 1990 at 47 – with Mr. Alstrum as his friend to the end. 

Teachers truly make a difference in our lives and I hope they know how much we appreciate them!  I have an offer on YouTube for free books for teachers or other school employees.

https://youtu.be/mZKzqtWIzuk