Tuesday, July 18, 2023

Kissing Frogs


I'm a Star Trek fan - not at the Trekkie level, but I often quote the Prime Directive and First Contact when it comes to letting people be themselves and trying not to disturb them. Up until this morning, I would almost have a panic attack at the thought of networking. I’m an introvert, but when the situation dictates, I can come out of my comfortable cocoon and transform into a social butterfly – but that was in a prior career when it meant survival.

I’m taking a course from the Hollywood Game Plan author Carole Kirschner, and last night’s bonus episode was The Ultimate Guide to Stress-Free Networking. Carole inspired a new perception of confidence and attitude about “getting out there.” Being a super techie, I created my Contacts database this morning to hold my Native American Media Alliance fellowship cohorts, along with the producers, agents, and managers with whom I have made “first contact.” I have 56 records so far. In my prior career, I had over 11,000 – so I have a ways to go.

Another homework assignment was to make a list of my screenwriting objectives, and my highest priority is to pitch my entry to Nicholl’s, Last Woman at The Austin Film Festival in late October. Like the producer of The Godfather, Allen Ruddy, I worked in technology before devoting myself full-time to screenwriting - and I like to write scripts about sci-fi and technology going wrong - or, as we like to say – “unexpected results.” I was lucky to learn the craft of screenwriting from the ultimate source of frightening Sci-Fi: Jack B. Sowards, who wrote Star Trek II - The Wrath of Khan. He was my instructor during my Advanced Screenwriting Program at UCLA. I don’t know the name of those things that went in the ear that ate the brains in that movie, but this blog is about frogs. Yes, frogs.

I was born and raised in California; my mother’s family moved to Anaheim in the late 1800s. I grew up in Escondido, and when we’d go to Disneyland, my parents couldn’t tell me because I’d get so excited - I’d throw up. I’m that big of a Disney fan.  I think it was a Disney movie that coined the phrase, “You have to kiss a lot of frogs before you find Prince Charming.”

A few years ago, I wanted to sell my software company and write full-time.  I met with 24 companies that wanted to buy mine - but things never worked out. I’d tell my husband, “Well - that was another frog.”   I had pretty much given up until one day, an investor asked me to call a young man who was getting started in the business and needed help.  Networking – oh no!  I didn’t want to help a competitor - and all this frog-kissing and running my company was stressing me out - but I did it anyway. We had a wonderful chat.

It was a shock to discover that we had attended the same high school in Escondido - even though we ran companies thousands of miles away - in opposite directions. Even weirder was when I heard his last name, and we figured out his father was my brother’s best friend.  It got even stranger - the next month, we were each returning to Escondido - it was his grandmother’s 90th birthday and my parent’s wedding anniversary.  We agreed to meet, and he ended up being the prince I was looking for, and even though I’m not uber-rich - his company bought out my stock by paying me enough each month to enable me to write full-time. Now I’m looking for a princess or prince to be my manager, agent, publisher, and/or producer, - so I’m ready to start networking and pucker up to kiss more frogs! 

Friday, June 16, 2023

Writing is Life


My first blog was almost four years ago when I decided to retire and become a full-time writer.  It was about my high school sport, field hockey.  My husband Keith taught me how to play soccer after we got married since he was All-CIF soccer in high school and his favorite sport of ice hockey was nothing like what I had played – but soccer was. It was so much easier to kick the big soccer ball instead of hitting a tiny hockey ball with a stick. Soccer has a similar field, rules, and goal as field hockey. But Keith insisted I learn to kick with my foot instead of my toe. Not only does this prevent you from breaking your toe, but it gives your kick more speed and control. 

Over the years, soccer has been a big part of our lives. We’ve been to Olympic soccer games, along with NWSL games. We’ve seen greats like Marta, Abby Wambach, and Megan Rapinoe, but the best was watching our four granddaughters play.  Each girl was an amazing player – inside and out. Soccer is also a fun game.

We loved managing and coaching soccer teams and even the most athletically-challenged child can play.  It isn’t like baseball where they go to bat – all alone - and strike out.  Instead, young soccer players get so many chances to get their foot on the ball, especially in youth soccer where the team can swarm together around the field like a beehive. Keith would smile when he’d spot a young girl more interested in a little tiny flower growing on the field instead of paying attention to the game. She was having fun!

When I played on adult teams - mostly over-30 women’s indoor soccer, I’d constantly remind my teammates that nobody was getting paid and we all had to get to work the next day, so let’s be careful out there. It needs to be fun.  At that time, there were no professional women’s teams but today that has all changed.  The world of women’s professional soccer, especially the NWSL is exciting and lucrative for some of the players and owners.  It is still called soccer in this country instead of football like the rest of the world, but it is fun.  One of my favorite scenes in Ted Lasso is when the new player, Dani Rojas screams “Football is Life!” But for me, writing is life.

My latest script, AimMe Coach, is almost done.  It was originally a one-hour dramedy like Ted Lasso called Aim Me, but I worked with an amazing mentor – Kris Crenwelge as part of the Native American Media Alliance fellowship that I won.  She is a staff writer on True Lies and is currently in the Native American showrunner fellowship. Kris suggested that I cut out half of the characters and make it a network half-hour comedy.  That meant removing half of what writers like to call “their darlings.”  Gosh, that was hard since I killed off my main character.  But surprisingly, that left the hero to be my Native American character, Suby Mankiller, and back full circle to my granddaughters.  My youngest and strongest is named Suby and is in the bottom left of this picture. She packs a lot of dynamite into her petite body.

This picture sort of brings everything full circle for me.  I quit writing twenty years ago after graduating from UCLA’s screenwriting program when tragedy struck and Keith and I had four little granddaughters to help raise.  I put my dreams on hold and had a new objective to earn enough money in the technology industry to support our daughter-in-law getting certified as a teacher and those amazing little girls.

I had also taken a bad hit in my right eye with a soccer ball and had a partially detached retina and poor vision to contend with.  But with big monitors and dozens of surgeries, I do pretty well – just don’t ask me to drive at night!  My lack of depth perception makes playing sports difficult, so I walk a lot instead, at least a 5K a day and lots of yoga. 

For me, writing is life – I feel like Dani Rojas, each morning – excited to get up and write, write, write.  If you want to see my YouTube about Aim Me (the hour-long version)  here’s the link and I hope to have the ½ version done soon. https://www.youtube.com/playlist?list=PLx_8Ja4anZU7427aV5A98VQUPYtmdfWJc 




Tuesday, May 16, 2023

Taking Chances


One of my dad's favorite sayings about Las Vegas is, "They didn't build those big casinos from our winnings." I don't like to gamble; it must be the accountant in me. The odds are not in my favor. The most I've ever done is put a few coins in a slot machine with predictable results - I didn't win. 

But as part of my screenwriting training, I wanted to do the opposite of the recommendation "write what you know." Could I learn something from a book, then write about it?  A true screenwriter can be told a pitch - somebody else's dream and story and then craft a movie or TV pilot.  I want to be able to do that. How hard could it be to write about blackjack - a game I've never played?

I had seen my husband and best friend play blackjack In Las Vegas, and one time, my best friend, Laura, called me over and handed me a pile of chips and said, "Don't give these back to me, no matter how much I beg."  I thought, "What a weird game."  I bought a book about blackjack and learned about card counting and the basic strategy.  

My screenplay, Last Hand, was born.  I entered it in Nicholls and was a Quarter Finalist, but since then, I've done a lot of rewrites to focus on the emotional issue of the special relationship between a father and daughter. I shaved off twenty pages to make it a better financial risk, removing the water skiing scenes. I made my main character Cherokee and changed her name from Madison to Kimi - which means secret in Cherokee. My story has lots of secrets.  The reviews have been good, and I'm a Quarter Finalist in a 2023 contest.

 "Last Hand" is a well-crafted story that features strong character development, a clear plot direction, and relatable themes. The film does an excellent job of balancing its multiple storylines, while also maintaining a consistent tone and pace throughout. 

One of the strengths of the film is its fully-realized characters.  Her father, Flip, is a flawed character whose past mistakes continue to haunt him. The other characters in the film are also well-developed and add depth and nuance to the story.  The film's plot is driven by clear goals and conflicts. 

Overall, "Last Hand" is a strong character-driven drama that is sure to appeal to a wide audience. The film's themes of family, legacy, and addiction are universal and relatable, and its well-crafted plot and characters will keep viewers engaged from start to finish.  

In some ways, I've been taking chances by trying various genres and formats. I've been asked, "Do you want to write sitcoms, novels, movies, or animation?" My answer is simple - yes!  I love writing, I spend hours doing it every day.  I go to bed at night thinking of my scripts and wake up excited to start writing. I am lucky because I type as fast as I think, and I have fantastic technology skills - so using screenwriting software is easy for me.

Most Vegas movies fare well - people enjoy watching films about their dreams of being a winner.  In 2008 a movie came out, 21, about the MIT Blackjack Team that used scientific theory to make a bundle. It only cost $35 million and grossed $159 million. I hope someone will take a chance on my screenplay, Last Hand.

Tuesday, April 18, 2023

Can I Be Funny?

I'm in the contest phase of my screenwriting career, along with the questioning phase.  

Should I write for TV or movies?  Do I like comedy or drama?  Am I good enough to be successful in this new career?

Entering contests helps me measure my progress - although a huge part of it is luck. There are thousands of entries and hundreds of readers. You might get a reader having a bad day – or hates your genre – or even your political views.  

Only 30% of the scripts get to the Quarter Finals.  Oddly enough, I had two scripts get a high scorecard and move up my rank on Coverfly in the 2023 ScreenCraft contest but didn’t place in the Quarter Finals.  Why would two readers doing feedback score me high and give my scripts a great review, but another two in the contest pass me over for the Quarter Finals?  Could it be a clerical error or the readers having a bad day?  I don’t know, so I’m extra happy when one script does move up the ladder.   

This month, I moved into Quarter Finals of a contest for my TV script First Man.  I don't think it will move any further up because it takes being the best to win a contest. I'm not there yet.  I think I have figured out the formula for writing drama, which is going well - but comedy?  I like to think I'm funny -  but can I write funny? Can I get better at this? In my last December Blog, I talked about making things work, then better, then the best. You can read it with this link.

https://sandijerome.blogspot.com/2022/12/make-it-work-make-it-better-make-it-best.html 

I need to improve, and I'm using my TV script First Man as a testing ground.  I wrote it early in my career as a feature screenplay, meaning it was about 100 pages. As a feature, it was originally a Quarter Finalist in the big contest – the Nicholls Fellowship.  To convert First Man to be a one-hour dramedy - sort of a funnier and less expensive West Wing, I had to make it shorter. The screenplay was the full journey – ending at the White House. A TV script needs to be more of a sample or view into the future of a “fish out of water” learning politics and the woman who loves him adapting to a new job and relationship.

I think the idea is funny.  If you look at our "Second Gentleman" - the spouse of Kamala Harris,  he's extremely qualified to be a future "First Man" if President Biden gets hit by a bus.  Douglas Emhoff is a lawyer and distinguished visiting professor at Georgetown University Law Center. As Kamala's husband, he married her when she was the Attorney General for the State of California and got a taste for the term "wife-guy" - a slang for when a husband owes his fame to his wife's success. Doug could walk around the White House with confidence and ease and adapt to the "upside down" role of being a male First Lady. 

To make the situation funny - I thought, what kind of guy, already famous on his own, would not slide into this wife-guy role easily?  What type of person would be the best "fish out of water" to fall in love with the possible future first female President of the United States? Yup, a jock would be perfect and one without too many CTE injuries to the head.  I didn't want him to be the typical dumb jock, so he's a pro baseball pitcher who needs to know every batter he'll have to pitch to - similar to how a politician knows her debate opponents.   

My first attempt at writing my First Man TV script was disastrous. I merely took my feature screenplay and deleted characters and scenes until I was down to about 60 pages – one hour.  I submitted it to the Native American Media Alliance for their TV Script Writer lab in December.  The kind director suggested that I learn more about writing for TV, and I did that. I studied, read, watched and figured it out. For my next submission to NAMA, I have created a new TV script from scratch to see what I’ve learned. I talked about this last month.  https://sandijerome.blogspot.com/2023/03/

But that script is still in draft status and, hopefully, a project for the latest NAMA Writer's Lab I applied for this month. But I wanted to enter two other diversity fellowships, NBC and Paramount, so I rewrote First Man to the correct format, got it down to 37 pages and improved the structure. It will be serialized like The West Wing in later seasons. It starts with Anna being the VP, then going on the campaign trail with Jake and eventually becoming the President. Hopefully, there will be a funny White House wedding with Jake being the obsessive wedding planner instead of Anna, who will be busy running the free world.

I’m trying to make it funnier. I need to tone down my “I Love Lucy” type of physical slapstick and write smarter and funnier dialog.  I’m working on that, along with making sure that the first year of the series is about the road to being the President. In the meantime, I submitted it to a contest in January to get feedback, and it placed high. I also got coverage for it, and this is what a reader wrote:

This is such a fun idea, and in the current political climate, where we have our first Second Gentleman, it’s a topical and current take on the romantic comedy. Jake’s step into this new world is refreshing, and Anna’s strong navigation of the political system is believable and authentic. We can see all sorts of personal and political drama playing out as these two attempt to make their relationship work in the biggest of spotlights. The story also boasts some really fun dialogue, and not only do Anna and Jake have chemistry in their verbal banter, the supporting cast is wry and engaging. Wilma is a standout here - her personality as friend, assistant, and tough-love voice of reason for Anna is useful and credible. 

We also really like Anna herself - she’s passionate about her causes, and the script wisely makes her Native American background a part of her story, creating a great role and adding diversity to the cast. Overall, this is engaging and fun, and the combined worlds of baseball and politics are a nice contrast. Anna and Jake have a good oil and water chemistry going, and we’re rooting for them to get past their differences and find a way to make it work.

Fingers crossed on my journey to write funny, and I'll let you know how that works in a future blog. Right now, I'm doing daily exercises from from the book, How to Write Funny. I am also doing exercises to improve my yoga. Hopefully, I don't get them mixed up and end up with a new pose that looks hilarious. 


Wednesday, March 22, 2023

Almost Famous

 We recently got an invitation to attend a dinner honoring Cameron Crowe at Keith’s old alma mater, the University of San Diego High School.  We didn’t go, but we’re big fans of a former classmate of Keith’s who wrote amazing films like Say Anything, We Bought a Zoo and Almost Famous.

After retiring from the software industry last year, I knew I wanted to write since that was the area of my previous job that I enjoyed the most.  I spent most of last year learning to write middle-grade and young-adult fiction and completed two novels.  Those are now in the endless game of submitting to editors and agents – trying to find a publisher. But last month was a turning point. Although, I'll continue to write children's books, I turned my focus to screenwriting.

I decided that since I watch so a lot of TV and movies (too embarrassed to say how much...,) I should try that.  I entered my most recent feature screenplay, Last Woman, into a contest on February 1st.  I will find out how I did, early next month.  I have written a dozen screenplays that I wrote between 1999-2006 after graduating from UCLA’s Advanced Screenwriting program.  My instructors were Jack Sowards (Star Trek II: The Wrath of Khan, and Star Trek: The Next Generation) and Jim Schmerer(MacGyver.) I felt “almost famous” when they took Keith, myself, and my favorite fellow student, Dana, out for dinner after graduation to a famous deli where everyone seemed to know these legendary (but now passed) writers.  I then attended screenwriting classes on Saturday mornings in Portland by Cynthia Whitcomb (I Know My First Name Is Steven, Mark Twain and Meand bought all her books. 

In last month’s blog, I mentioned another script, Time for Lily that I also dusted off, rewrote, and submitted to contests. Out of my dozen scripts, I’ve updated eleven and submitted them to various contests.  I also requested “coverage” for most and that lets me know what needs to be fixed.  I’m learning screenwriting all over again – but at a deeper level, paying more attention to voice, characters, and structure.

But one area that I didn’t know much about was writing for TV.  It is much different than writing a feature movie.  When I entered one of the feature scripts that I truncated to TV size as my entry to the Native American Media Alliance TV writer’s Fellowship, the kind director said that I needed some help with TV structure.  That was an understatement as I learn this new craft. He was just being nice.  I didn't have a clue! But you're supposed to write what you know and since nobody is interested in medieval Bohemian sheep breeds  - I picked TV.

I love great TV like Ted Lasso and The Mandalorian. I watch a classic sitcom every night before bed (currently Friends) to end my day with a laugh.  I like smart TV like shows from Aaron Sorkin (West Wing, Newsroom, Sports Night, Studio 60) and extremely funny TV created and written by sitcom giants Chuck Lorre and Steven Molaro (Big Bang Theory, Bob Hearts Abishola, Young Sheldon.) For those of you from Escondido, Steven Molaro is not the younger brother of my high school heartthrob and good friend, Cliff Molaro.  This talented "Steven Molaro" is from New York.  I don't know what happened to little Stevie Molaro that I knew from Cliff and 4-H, I'll have to ask Cliff the next time I see him.

In my quest to learn how to write TV scripts,  I’ve read three books so far, read dozens of blogs and pilot scripts, and studied the coverage I got for my “truncated script” First Man.  After not getting the NAMA fellowship, I applied for the NBC Launch TV Writer’s program.  Part of that application process was the requirement to get an entrainment industry reference.  My references for the NAMA fellowship had been my dear high school teacher, Mr. Stan Alstrum who is kind enough to read my stuff and say nice things about my writing. My other reference was my former writing partner for computer books, Jack Ross. He has a budding future as an editor. I don't think I could get one tiny mistake by him! But the rules of this fellowship said specifically that the reference must be from “the industry. “

As I mentioned last month, I had actually sold a screenplay back in the early 2000s and wondered if that producer was still around.  Much to my surprise, she was and is now producing my screenplay – Runaway Cricket as a musical.  Wow – 20 years later! I downloaded the soundtrack from Amazon and it was fun to hear the songs accompanying my script.  She gave me a great reference for NBC and I’ll use it when I apply again at the Native American Media Alliance next month.  After all this – I can’t help but feel that I’m “almost” there and ready to be famous as I work each day on my first real TV script – Aim Me. More about that to come…

 Here is the link to my credits on Runaway Cricket

https://blackorb.com/credits.html and the songs https://blackorb.com/runawaycricket.html





Thursday, February 16, 2023

Doing What You Love

 

https://youtu.be/oeq9eSz-yos

My dad always said that if you can find something that you love to do, you’ll never need to retire.  That happened to me last year.  I sold my software company and started a new career in writing.  It wasn’t really “new” since I wrote technical manuals, computer help guides, and magazine articles over the years for work – but now….I could write whatever I liked.

I tried to have a writing “job” two decades ago and completed UCLA’s screenwriting and advanced screenwriting program.  I wrote a dozen screenplays and got my first gig of writing a screenplay for an animation studio and my first check of $1200.  Wow!  But then, tragedy struck our family and we needed to  help raise and support our four young granddaughters. Financial worries crept up, and I had to abandon that dream of being a writer and take on some pretty hefty responsibilities as I ran my software company as we got our granddaughters to soccer, swimming, dentists and doctors.

One of my first screenplays was based on a woman I met at an assisted living center, Lily.  At 86, she joked that she was “in God’s waiting room,” and often told me that she was ready to die.  I would see her weekly when I would help the elderly send and receive emails from their families.  It was a volunteer program that we developed called Web on Wheels.  I would set up my computer in the activity room and envied the residents with so much time on their hands to do crafts, play bingo, and even learn to dance!

Time for Lily was a First-Round Finalist in Script Magazine Open Door Contest back in 2000 – 23 years ago.  I’ve rewritten it 19 times – including the most recent one after getting coverage.  Now, I think it is finally close to being “screen-ready,” and I’m submitting it again to various contests. If you’d like to read it, here is the link.  https://sandijerome.com/free/TimeforLilyComedyRW.pdf

The real Lily that inspired me died in 2006 at 92, and now I’m closer to Lily’s age when we first met, than to the “young” character, Megan, on who I based my hectic life.  But today, I am truly doing what I love – writing.

I recently met someone who appears to also be doing what he loves.  The Festival of the Arts at Disney’s Epcot is my least favorite festival – with the Food and Garden being my first choice.  At the arts festival, the food is often “deconstructed,” – but this year, they had a hummingbird cake and soft-shell crab – that were amazing.  Along with not being big foodie lovers of elevated cuisine, we also don’t appreciate fine art that much.  But we’re huge fans of Grogu, and The Mandalorian and this print caught Keith’s eye.  We bought it for $89 – which after our annual passholder discount and tax, was $85.  Then, the Disney cast member told us that the artist was back in Germany at the Thomas Kinkade booth and would sign our print.

Well…that was quite a signing.  Not only did I get it signed, but I got to pick out what was on the back and I picked Yoda.  It was also a special treat for the artist Dirk Wunderlich to explain to me why Grogu cannot be Yoda as a baby.  Dirk is about seven years older than me and is a Thomas Kinkade legacy artist who has done images and logos for Disney.  We talked about my ties to Anaheim (my great-grandmother once owned orange groves where Disneyland now stands) and my hometown of Escondido and why I now live in Clermont – at 300 feet.  He has selected a home in Northern California at 400 feet! We’re both trying to avoid death by earthquakes or hurricanes/global warming floods.

I would imagine, at about 75 years old, that Dirk can live anywhere or do anything, but he spends long days at Epcot, drawing on the back of his prints – for free – and talking to people like me.  He appears to truly be truly doing what he loves and will probably never retire.

Visit my website at sandracookjerome.com to read my screenplays or books - or if you want to buy a book, there are pictures and links on my website. I hope you are doing what you love!

Here's a link to my YouTube about my visit with Dirk Wunderlich at Epcot - https://youtu.be/oeq9eSz-yos




 

Saturday, January 21, 2023

Late to the Game

I didn't find out I was Cherokee until my grandmother died.  I hadn't seen her for a few years and I asked my dad, "Where?" He said that she went back to the reservation and died in one of their rest homes. 

The reservation - seriously?  I was finding out as an adult that I was Cherokee.  There were so many questions that I wanted to ask her and now she was gone.  "What was it like and how did you feel about being Native American?" But the biggest question, I asked my dad.  "Why didn’t you tell anyone we were Cherokee – including me?"

My dad explained that in the 1950s and 60s, being a Native American was not a good thing.  It would have hurt his ability to get work since the stereotype was a drunken and lazy "Indian."  He didn't tell anyone and neither did my grandmother.  Before my oldest aunt died, she mailed me things that had belonged to my grandmother.  On the back of her marriage certificate, my grandma wrote the names of each of her children and for some of them; the day they died.  She had 7 children; her oldest son died in World War II, her youngest daughter death is an unsolved murder or accident in Oklahoma, and one baby died a few months after birth.  She had a hard life. 

My grandmother was married at 16 and had her first baby, my Aunt Thelma, a few months later.  Her own parents lived in poverty in an area north of Bluejacket, Oklahoma that was incorporated into the Cherokee Nation in 1894.  Today it has about 300 residents.  There were nine people living in the same house, so I’m guessing that my dashing and older grandfather gave her an escape to a better life.  He was truck driver and made a living being a bootlegger - probably selling to the Cherokees.

My grandparents had their first three kids and ended up moving to Colorado where my father was born before moving again to California where I grew up.  I was the 2nd youngest of 15 grandchildren, so I wasn’t close to these grandparents, especially when they moved back to Oklahoma when I was about ten. We never traveled there, my mother didn't like my grandmother and I think it was mutual.  My mother was German, and my grandmother's first born son died fighting the Germans.

After my grandmother’s death, I decided to join the Cherokee Nation and found her name on the Dawes Roll and filled out the paperwork.  My dad was getting old, so he asked that I enroll him too.  He was proud to get that tribal card and I was intrigued. Who was our actual Native American ancestor?

I am a genealogy buff and found so many of my ancestors on Grandma's side born in Georgia, North Carolina and Tennessee and then they died in Oklahoma.  I thought it might be how my mom's German side settled in Missouri and then migrated to California from 1901 - 1940, but this was different. 

Then I read the Trail of Tears. Why wasn't this forced march and the genocide of the Indigenous people taught in school?  We have finally inserted into history books some of the horrific things the European settlers did enslaving African Americans, but not too much is devoted to the genocide of Native Americans. An estimated 5 million to 15 million were living in North America when Columbus arrived in 1492.  That number was reduced to only a few hundred thousand by the close of the Indian Wars in the late 19th century.

Trying to teach kids today about the realities of this genocide is difficult.  “Cowboys and Indians” have been glamorized for years in our culture and I was guilty of it when I sat and watched the extremely inaccurate Pocahontas by Disney with my granddaughters. I’m thankful that I never dressed any of them up in Native American costumes for Halloween. How insulting that is to our ancestors. 

Chandra and Sandi at her college graduation

Borrowing from Disney, “A spoonful of sugar helps the medicine go down…,” I think the best way to tell this story and correct history is through our writing.  If we can tell the truth within another story that kids will be excited to read, then we’ll shine a light on problem.  We study history to help prevent things like this from happening again. My actual Native American ancestor, Clarissa Wright was in the Cherokee Nation East in 1826 then died in Oklahoma in 1936. She died young, leaving behind two small boys for a step-mother to raise. I could never find out what happened, but I decided to make up a story for her and make her a superhero.

In my first middle grade book, Sleep Warrior, I give the microphone to Clarissa and Aya’s crusty grandmother to teach our history.  In the book I’m currently writing, the protagonist has the microphone and with the passion of a teen, he tells the truth.  I’m thinking of calling it either Truth Warrior or Moon Sleep.

I might be late to the game, but I’m in it now.  I'm trying to teach my own granddaughters about being Cherokee and getting them involved in the tribe.  I am learning about our  Cherokee history and culture so that I can tell my stories authentically. 

I hope you’ll read my latest version of Sleep Warrior, which a kind editor and member of our tribe suggested that I rewrite into first person POV.  Here is the link - https://sandijerome.com/free/SleepWarrior%20Sandra_JeromeRWPDF.pdf